Beyond the loom: fiber as sculpture (Exhibition)

“Beyond the loom” was an exhibition within the large exhibition of women’s art “Women Take the Floor” in Museum of Fine Arts in Boston. Visited in January 2020. It featured the groundbreaking fiber works from the 1950s to 2000s by female artists. Inspirational.

In the 1960s and 70s, a number of pioneering women in America radically redefined textiles as modern art. Coopting a medium traditionally associated with women’s work and domesticity, these artists boldly broke free from the constraints of the loom to create large-scale, sculptural weavings that engaged with movements such as Minimalism and Abstraction. This “fiber revolution” sprang from a new philosophical emphasis on structure in textile art, as well as revived interest in tapestry weaving and the brilliance of the ancient Peruvian textiles.

From the introduction to the exhibition

Anni Albers (1899-1994), Dotted Weaving, 1959

I think [weaving] is the closest to architecture, because it is a building up out of a single element – building a whole out of single elements

Anni Albers
Wool, compound weave

Sheila Hicks (born 1934), Linen facets (1988)

Lenore Tawney (1907-2007),
The Fountain of Word and Water (1963)

Water is fertilizing and water is dissolving and water is cleansing and water is life-giving… Water is thrilling.

Lenore Tawney
Knotted linen

Olga de Amaral (born 1932), Strata II (2007)

In the 1980s Olga de Amaral began to experiment with gold and silver leaf, connecting her work in fiber with a long history of indigenous Colombian metalwork artists.

From the exhibit description
Linen plain weave, gesso, acrylic and gold leaf

Ruth Asawa (1926-2013), Untitled (1952)
Kay Sekimachi (born 1926), Amiyase V (1956)

Everything has its limitations, and fiber does… and of course the loom has many limitations. I love working within limitations.

Kay Sekimachi
Foreground: work by Kay Sekimachi.
Woven nylon 6 monofilament

Sheila Hicks (born 1934), Bamian (1968)

All of the threads are actors on stage and none of them are hidden. They’re all part of the oevre

Sheila Hicks
Wool and acrylic yarn, wrapped

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